Kagoshima City Museum of Art
This province sent an unusual number of painters into Japanese modern art; the museum collects them systematically.
298 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
273 entries / page 3 of 12
This province sent an unusual number of painters into Japanese modern art; the museum collects them systematically.
On the castle site; because this province destroyed its Buddhist art more thoroughly than any other, it also records what was lost.
On a hill facing the bay and the volcano, holding both Satsuma ware and European modern painting.
Japan's first Western-style factory complex; its stone machine shop survives as the built record of an industrial revolution absorbed.
Begun by abducted Korean potters, and split into white ware for the lord and black for everyone else - class made into pottery.
The village where the abducted potters were settled; families that never changed their Korean names still fire kilns here.
Seven of its samurai gardens are designated scenic, their clipped hedges borrowing the mountain behind.
On the airfield they flew from, holding the letters teenage pilots left - the handwriting itself part of the record.
Walls built from rounded river cobbles - a distinctive technique, since nothing in them has a flat face.
A settled village 9,500 years old, which rewrote assumptions about when people in Japan stopped moving.
Stone arches nearly lost to flood, dismantled and rebuilt here - the work of Kumamoto masons hired into Satsuma.
A brick power station drowned by a dam; when the water drops it surfaces whole - a ruin visible only a few months a year.
A painter who moved here at fifty, worked as a dyer to fund his painting, sold almost nothing, and was recognised only after death.
Thread dyed with a local shrub and then trodden into iron-rich mud to blacken; the kasuri threads are themselves woven first on a separate loom.
Plant dye and mud alternated more than twenty times to reach a black no chemical dye can match.
Vegetation stacked from subtropical to subarctic by altitude alone; even the logged stumps have grown second trees.
Only stumps left by Edo-period logging may be used; no living tree is cut, and the timber is three centuries old before it starts.
Satsuma banned Buddhism outright for a time; altars were made in secret, and when the ban lifted that skill became an industry.
The matchlock that arrived in 1543 beside the copies local smiths made - and the record of how the screw thread defeated them.
Gunsmithing turned to scissors; steel is forge-welded to soft iron to shape the blades and handles.
Cobble walls line the island lanes; houses sit low inside them against the typhoons.
Cobble walls and hedges in a samurai settlement - a village form produced by Satsuma's system of scattered garrisons.
Japan's largest camphor tree, 24 metres around, stands in the shrine at the centre of the samurai settlement.
The kiln that made the furnace's fuel and the channel that brought its water - the supporting infrastructure, included in the listing.