Kitano Museum of Art
A construction family's collection running from Yokoyama Taikan to European modernism.
398 entries. Some places appear in more than one collection. Confirm visits with each facility.
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A construction family's collection running from Yokoyama Taikan to European modernism.
Yayoi Kusama was born here; her polka dots run from the permanent gallery out to the sculptures and even the vending machines.
A hundred thousand prints gathered over five generations by one Matsumoto merchant family - the largest such private holding in the world.
Founded with one merchant's own money and one line of policy: beautiful things are beautiful.
The first pseudo-Western building designated a National Treasure, drawn by a local carpenter after trips to Tokyo and Yokohama.
The original Japanese craft fair, which established makers selling their own work and set the pattern for the rest.
For the picture-book painter Chihiro Iwasaki; the building lies low toward the Alps with no edge between museum and park.
For Morie Ogiwara, where modern Japanese sculpture began; built by donations from 300,000 local people.
A mountain photographer's archive, his images hung beside the minutely painted butterflies he also made.
Sculpture set inside a Romanesque-styled building, centred on Hiroatsu Takata, who studied under Rodin's shadow.
A picture-book gallery in a pine wood, showing the brushwork that printing always loses.
One of the world's great collections of Art Nouveau glass, including major works by Emile Galle.
Holds Fujisan, the only tea bowl by Hon'ami Koetsu designated a National Treasure, shown about once a year.
Shrines with no inner sanctuary, worshipping mountain and tree; every seven years giant logs are hauled down and raised at the corners.
For Takei Takeo, who coined the Japanese word for children's illustration and made 139 hand-bound limited books.
Once the world's greatest silk-reeling town; a working mill next door still draws thread from cocoons.
The only museum holding two National Treasure clay figures - the swelling Venus and the masked goddess.
Only painters who died young; their drawings hang in a dim room, most of them made before the artist turned thirty.
Japan's only octagonal three-storey pagoda; what looks like a fourth tier is a skirt roof, and it is among the oldest Zen-style structures here.
A pagoda finished without its balconies or railings - called the perfect unfinished tower, its lack read as its virtue.
Said to last three generations; its striped and checked colourways follow local conventions.
Hokusai came here four times in his eighties; the waves he painted on a festival float ceiling are shown still in the float.
A contemporary Nihonga painter shown alongside the town's festival floats, carved in Hokusai's own era.