Ohashi Residence
A merchant family enriched by salt and land reclamation, permitted a samurai-style gate their rank shows off.
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A merchant family enriched by salt and land reclamation, permitted a samurai-style gate their rank shows off.
The house of a salt-field magnate, its parlours and six storehouses surviving intact across a hectare.
A tabi and school-uniform town that made Japan's first jeans; its old shuttle looms now supply the world.
Woven slowly on old looms so the yarn keeps its air; the cloth moved from ships' sails to bags.
Built around Sesshu, born in this province, and holding ink paintings by the swordsman Musashi as well.
Built on the Ikeda lords' collection, with a holding of Noh robes among the finest in Japan.
One of Japan's few museums of the ancient Near East, grown from a local collector's gift.
In Yumeji's home province, with his birthplace and the studio he designed himself both preserved.
A ruined copper refinery turned museum without demolition, conditioned by sun and geothermal air alone.
On an island of some fifty people, Sejima scattered transparent pavilions so that walking becomes the exhibition.
The oldest of the six ancient kilns: no glaze, no painting - only what ash, flame and straw leave on the clay.
A museum centered on Bizen ware, ceramics and art, from medieval storage jars to living masters - the full range of what fire alone can do.
In the greatest of Japan's five sword provinces, with working smiths, polishers and hilt-binders on site.
The artworks were chosen first and the building designed around them - including a cylinder with Ryoanji's rock garden on its inner wall.
A merchants' quarter along the old Izumo highway, 1.2 kilometres of Edo and Meiji townhouses.
This domain produced a line of Dutch-studies scholars who coined the Japanese words for oxygen and cell.
Kasuri farmers once wove for themselves; the craft died out and has been brought back.
The making of red iron-oxide pigment, which went into Kutani porcelain and Wajima lacquer alike.
Castle-scale stone walls raised on a mountainside to carry one house - copper and pigment money made visible.
An early garden by Kobori Enshu, made in his twenties: clipped azalea as waves, stones as islands.
For a sculptor who carved until he was 107, and who past a hundred bought thirty years' worth of timber.
Centred on the bird-and-flower painter Kinjima Keika, in a small private museum built as one with its garden.
For a painter of the Inland Sea in high-keyed colour, and the museum lets you watch him leave his teacher's manner behind.