Lafcadio Hearn Memorial Museum
For Lafcadio Hearn, who wrote Japan's ghost stories in English; the samurai house he lived in stands next door.
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For Lafcadio Hearn, who wrote Japan's ghost stories in English; the samurai house he lived in stands next door.
Samurai houses and earthen walls along the castle moat, the street Hearn walked barely altered.
Built by the tea-master lord whose taste is why this town still has its tea and its sweets.
Pictures painted in coloured lacquer and covered with clear coats; as the years pass the top clears and the picture brightens.
Its slip technique resembles English country pottery; Bernard Leach came here, and the exchange went both ways.
Three hundred and fifty-eight swords buried in four neat rows on one slope; nobody knows why.
Thirty-nine bronze bells buried nested one inside another - the largest such find in Japan.
Said to have produced a third of the world's silver in the 1500s, and inscribed as World Heritage for mining without stripping the forest.
Officials and merchants lived on the same street here - a townscape where the class boundary blurs.
Great water jars fired so hard they resist salt and acid, sold to kitchens and pickling sheds all over Japan.
Hiroshi Naito clad walls and roof alike in 280,000 local red tiles, wrapped around a courtyard pool.
Two gardens attributed to the ink painter Sesshu, said to apply the composition of his paintings to ground and stone.
For a picture-book artist known worldwide for books without words, in a tile-roofed building by Hiroshi Naito.
For the army surgeon and novelist; the house he lived in until he was ten stands beside it.
Collects and exhibits children's own drawings, and does not separate the making from the looking.
On tatara ironmaking, which produced the steel for Japanese swords using only iron sand and charcoal.
The only place still smelting tamahagane for swords, in a furnace fired continuously for three days and nights.
The only surviving furnace house of its kind, at the centre of a whole village built around making iron.
Started by five young men, guided by the mingei leaders, and still making unsigned everyday ware by policy.
Built to receive shrine pilgrims, so the station was designed as a temple rather than in Western style.
A vermilion shrine and a 43-metre stone lighthouse - Japan's tallest - on the same headland.