Takaoka Art Museum
Collecting around metalwork, as befits a casting town - and working the border between craft and sculpture.
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Collecting around metalwork, as befits a casting town - and working the border between craft and sculpture.
Ninety percent of Japan's bronzeware; begun when the Kaga domain summoned seven casters, now casting contemporary design.
Known for aogai - shell shaved paper-thin and inlaid, shifting through the spectrum as the light moves.
The casters' quarter, its lattice fronts unbroken and its pavements inlaid with the town's own bronze.
Rebuilt in fireproof earthen construction after a great fire, its black plaster fronts hung with cast bronze signs.
Floats that gather the town's metalwork, lacquer and textiles into single objects; UNESCO Intangible Heritage.
Most of Japan's sedge hats are made here, from growing the sedge to the final stitch.
Taught by Kyoto carvers who came to rebuild the temple; the street is still lined with workshops using 200 kinds of chisel.
Thatched roofs pitched at 60 degrees to shed snow, framed without nails and tied with rope; a World Heritage village.
Lacquered and carved floats followed by small music pavilions; UNESCO Intangible Heritage.
Munakata lived here for nearly seven years and painted directly onto the walls - even the lavatory - making the house itself the work.
Turning begun with timber floated down the river; the blanks it makes go to lacquer towns across Japan.
A 1926 hydroelectric plant turned gallery, keeping its penstocks and turbine beds; artists make work for that space.
Seven contemporary Nihonga painters were commissioned to paint one gorge; the results hang here permanently.
The main image is carved straight into a boulder; the hall was built around the rock, so image and terrain are one.
Holds Tateyama mandalas - paintings that mapped the mountain as heaven and hell, produced in numbers for pilgrims.
Built during recovery from wartime bombing, one of a cluster of postwar modernist civic buildings.
A mayor had the town's schools and offices built as copies of famous world architecture - some thirty of them stand.
Fishing boats moor at the front doors along this canal, each of its twelve bridges designed differently.
Floats dressed in flowers by day are re-hung with lanterns at night - one object with two forms in a day.
Four centuries of fixed nets laid out across the bay - an invisible structure drawn on water.
Two-thousand-year-old cedar stumps displayed still submerged - natural masses presented as sculpture.