Dewazakura Art Museum
Joseon ceramics collected by a sake brewer, chosen with the eye of the mingei movement.
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443 entries / page 3 of 19
Joseon ceramics collected by a sake brewer, chosen with the eye of the mingei movement.
A former Uesugi domain kiln, revived after extinction; known for deep iron-black glazes.
Twenty floats rebuilt from scratch each year, each staging a scene from kabuki in three dimensions.
Hand-made paper of pure kozo bark, once reserved for the Uesugi domain.
Sedge hats hung with imitation safflowers, each district decorating its own.
A red papier-mache ox with a nodding head, made to ward off plague - the colour itself is the charm.
One of Tohoku's oldest pottery districts, and rare in firing both earthenware and porcelain.
Life-size figures clothed in living chrysanthemums, which keep blooming and changing through the show.
Four workshops making Miharu horses in the same hamlet since the 1700s.
A domain kiln passed from father to single son, its bowls painted with running horses under a crackled glaze.
Double-walled cups that stay cool to hold; every kiln was evacuated after 2011 and is rebuilding elsewhere.
Flowers painted onto candles for altars in winter, when no real blossom could be found.
Three weaving traditions using mountain vines and grasses, kept alive as winter handwork.
One of the few museums tracing modern Japanese ceramics as a whole, centred on Itaya Hazan and Kosei Matsui.
A pottery town with no house style: over 300 potters live here, each working their own way.
Rosanjin's own house, moved from Kamakura - the garden and tea room shaped by a potter's eye.
A shrine-run museum holding medieval jars from Japan's six ancient kilns.
The birthplace of the first potter to receive Japan's Order of Culture, known for his veiled hoko glaze.
Lanterns cut from Tsukuba granite by a town of stonemasons working since the Edo period.
Paper so strong it was used for ledgers and firemen's coats, once reserved for the Mito domain.
Paper is still made in midwinter, when cold water makes the fibres bind best.
One of Japan's oldest chrysanthemum festivals, dressing figures in living trained flowers.
Begun by the craftsmen who built Toshogu, using a hooked blade that draws curves by dragging.
Shoji Hamada built it to show the objects he learned from - other people's work, not his own, takes the lead.