Morohashi Museum of Modern Art
One of the world's largest Dali collections - 340 works - assembled by a single businessman at the foot of Mt Bandai.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
351 entries / page 3 of 15
One of the world's largest Dali collections - 340 works - assembled by a single businessman at the foot of Mt Bandai.
A pioneering case of a regional city collecting contemporary art, strong in American work of its own era.
Unusually for Japan, built around British modern art, on a hill facing Mt Adatara.
The personal museum of a Nihonga painter and Order of Culture laureate, born in this castle town.
On the shore of Lake Senba, built around Yokoyama Taikan and Tsune Nakamura, with French modern painting alongside.
Arata Isozaki's twisting tetrahedral tower marks a centre that treats art, music and theatre as equals.
Where Okakura Tenshin moved his art academy; the misty new Nihonga style was born on this coast.
One of the few museums tracing modern Japanese ceramics as a whole, centred on Itaya Hazan and Kosei Matsui.
Founded by an art dealer; its strangest room holds 400 palettes actually used by famous painters.
Japan's only museum of seal carving - an art that sits between calligraphy and sculpture.
Centred on Shigeru Morita, who painted Kurokawa Noh again and again.
One of Japan's first public modern art museums, and unusually strong in the English Pre-Raphaelites.
A low building set in woodland, collecting 20th-century design and posters on equal footing with fine art.
A Nikko-born painter who began in oils and crossed into Nihonga, working both to the end.
Holds the potters at the centre of the mingei movement, with Hamada's relocated house in the grounds.
The world's largest museum devoted solely to Imari and Nabeshima porcelain, spread over a wooded hill.
Built around the local painter Riichiro Kawashima, and known for the sharpness of its temporary shows.
Three 200-year-old earthen storehouses turned into galleries, exhibiting under their original beams.
Shadow pictures shown as they were meant to be seen - cut paper lit from behind in a darkened room.
Nineteenth-century English stained glass reinstalled in purpose-built stone chapels.
A rice merchant's storehouse and residence converted into galleries, the buildings themselves listed.
Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
Themed on nature and humanity, and holding one of the world's major collections of Francois Pompon's animals.