Hirakata-juku
Where the river traffic met the highway; the old boatmen's inn survives as a museum.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
1,252 entries / page 30 of 53
Where the river traffic met the highway; the old boatmen's inn survives as a museum.
Japan's first estate of houses sold to commuters - the model on which railway companies built the suburbs.
Shigemori Mirei laid a dry garden in the keep's yard, its stones arranged as the battle formations of a Chinese strategist.
By Ogawa Jihei, who defined the modern Japanese garden - hidden behind the city art museum.
Giant three-dimensional signs - a crab, a pufferfish, an octopus - built out over the street as the city's own visual idiom.
Visitors spiral downward past the tanks - a building where the route itself decides the order of what you see.
An early example of a full Noh stage built indoors, bridge and painted pine and all.
The Mint opens its grounds for one week a year, one-way, past 130 varieties of cherry planted in sequence.
Built as a symbol of recovery from the 1995 earthquake; Ando's stairs and cylinders make walking the building the experience.
In a neoclassical former bank, holding National Treasure bronze bells and a major group of paintings of Japan's first contact with the West.
Japan's only museum of carpentry tools, showing joinery and blades - Japanese architecture explained from the hand outward.
The collection of the founder of the Asahi Shimbun, on his own estate, with tea houses moved into the garden.
For a painter of figures; his studio was moved here whole, down to the way the north light falls.
Houses built by foreign residents after the port opened - German, English and colonial styles mixed along one hill.
Japan's greatest sake district; the wooden brewhouses that survived the earthquake are now open as museums.
Japan's first World Heritage castle: walls and even tile joints sealed in white plaster, the great keep flanked by three lesser ones.
An 1905 army warehouse turned gallery, its red brick standing against the white castle across the moat.
Kenzo Tange placed it so the castle reflects in its glass - the museum working as a frame for the castle.
A castle town with two preservation districts, one merchant and one samurai, its shops presenting gable ends to the street.
An Edo brewery rebuilt after the earthquake, showing the tools and the building as one subject.
One of only four Wright buildings left in Japan and the only house, its Oya stone carved in continuous geometric bands.
A castle town of grid streets, and a porcelain so white that its patterns are cut into the body rather than painted on.
Inns were kept small and baths kept public, so the street works as the corridor of one large shared building.