Nara City Museum of Photography
For a photographer who spent fifty years on Nara alone; Kurokawa buried most of the building to protect the view.
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For a photographer who spent fifty years on Nara alone; Kurokawa buried most of the building to protect the view.
Built by a railway company for its jubilee; Isoya Yoshida's low building rings a courtyard, and holds four National Treasures.
Reached through a garden that borrows the Todaiji gate and the hills behind it as its own scenery.
A quarter grown inside a vanished temple precinct, its townhouses narrow at the street and deep behind.
An entire capital lay under farmland; its gate and throne hall have been rebuilt in timber at full size.
The mound is gone and the stone chamber stands bare in a field; how its 77-tonne capstone was raised is still unknown.
A hundred and fifty-four living painters were each given one ancient poem to paint; below lies the workshop that cast Japan's first coins.
The only thirteen-storey wooden pagoda in the world, seventeen metres of stacked roofs on a mountainside.
There is no inner sanctuary: past the worship hall stands the mountain itself, the oldest form of Japanese shrine.
A seven-branched iron sword inscribed in gold, given by Baekje in the 4th century - among Japan's earliest written objects.
A castle town enriched by the medicine trade, its apothecary houses still lining the highway.
Second only to Todaiji among wooden buildings; its columns are barely trimmed tree trunks, no two alike.
Five centuries of planted forest, grown dense and slow so the rings stay fine - the timber that lines sake barrels.
Includes the oldest dated private house in Japan, its ridge tag reading 1607.
Below one of Japan's three great mountain castles, a town enriched by travelling medicine sellers.
A tower drawn on a pot was used to reconstruct the building - architecture recovered from a picture.
Home of the Yagyu swordsmen, with a boulder split clean in two that legend says was cut by a blade.