Shikanoshima
Where the gold seal was found; a tied island whose very geography explains the ancient sea routes.
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Where the gold seal was found; a tied island whose very geography explains the ancient sea routes.
Thin boards bent with heat and stitched with cherry bark, made originally for shrine ritual.
Unglazed clay dolls, best known for a bird-shaped whistle; one workshop still keeps the moulds.
Twice a year the setting sun lines up exactly with the approach, laying a band of light to the sea.
A canal cut through the middle of the site with curved buildings on both banks - a design that changed Japanese retail architecture.
A relocated Meiji weaver's house, with hand-weaving and top-spinning demonstrated inside it.
A castle moat turned park, modelled on West Lake in China, crossed by islands and bridges.
Whether it ever had a keep is still argued; the scale of the walls shows it was among Kyushu's largest fortresses.
A trading company's club in half-timbered style, keeping the room where Einstein stayed exactly as it was.
Tops made for street performance, weighted so precisely they will spin on the tip of a sword.
Timber came here by river and shipwrights' joinery turned into cabinetmaking - now Japan's largest furniture district.
Rebuilt in fireproof earthen construction after a great fire, with water channels running through it.
Stages villages built for themselves, with the sloping shrine ground serving as the audience.
At the heart of the Chikuho coalfield, keeping a mock tunnel built for rescue training.
Not a craft district but a scattering of individual studios, formed by people who moved here for the coast.
Six thousand warp threads to a single sash; the density decides both the sound and the grip, so one hand oversees it all.
It exhibits the history and tools of Hakata-ori and gives demonstrations of hand weaving. It is run by the cooperative and also carries products.
A facility that stages the traditional performing arts of Hakata. Geigi dances and Hakata-ori obi can be seen in the same place.
A display and sales space run by a Hakata doll studio. Visitors can watch the painting up close.
Folk toys formed by pasting layers of washi over a mold. They have long been made as good-luck charms for Hakata's festivals.
Scissors in which blade and handle are forged as one piece. Skill is needed for the 'hineri', the twist that makes the blades meet.
Tops turned on a lathe from wood fitted with a spindle. There are also large ones used for acrobatic performance.
Padded cloth pictures in which fabric is plumped with cotton and attached to a board. They have been used as decorations for festivals such as Gion Yamakasa.
Kozo bark is boiled with wood ash, and the paper is made one sheet at a time without chemicals. It has been handed down in Chikugo since the Muromachi period.