Reviving Satsuma Glass
A technique lost for 120 years, reverse-engineered from surviving pieces - the reconstruction itself the achievement.
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A technique lost for 120 years, reverse-engineered from surviving pieces - the reconstruction itself the achievement.
In 1868 every temple in the province was abolished and every monk laicised - the most thorough destruction in Japan; what survives was hidden.
Satsuma defended itself with scattered samurai villages rather than a keep; its walls still carry bullet scars from 1877.
Fibre stripped from banana stems, split fine and spun by hand; a single bolt takes two hundred plants.
Granaries raised on four posts with rat guards - one structure answering typhoon, damp and vermin at once.
The kasuri threads are first woven into a temporary cloth, dyed, then unpicked for the real weaving - two weavings for one fabric.
Over twenty volcanoes in a chain, dotted with crater lakes, and still being reshaped by each eruption.
Bathers are buried in sand heated from below - the ground itself used as the equipment.
Instead of one castle, samurai were settled in over a hundred fortified villages across the province.
Domain metalwork that found an export market in the Meiji era, prized abroad for the fineness of its inlay.
Thin ivory-white ware painted in gold and colour for the lord's use; world's fairs made it an export line called simply SATSUMA.
The black ware ordinary people used - undecorated, its shape decided entirely by what it had to do.
Subtropical broadleaf forest through the island's centre - the plants and birds Tanaka Isson spent his last years painting.
Each hamlet keeps its own bull; the harness and rope designs work as the village's emblem.
A port that also held a samurai settlement, its stone walls and hedges in the Satsuma manner.
Southern Kyushu has its own burial type - a shaft dug down and a chamber cut sideways, found nowhere else.
River cobbles walling off each plot - the technique of stacking round stone shared across this district.
Sheds along the harbour where fish are smoked for months into what is said to be the hardest food in the world.
Administratively Kagoshima but linguistically and architecturally closer to Okinawa - an island where the border is not the boundary.
Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
The lords set pottery, glass and metal workshops in their own castle town and directed them personally.
Oshima Tsumugi Village in Amami. Visitors can try mud dyeing and weaving.
The mud-dyeing park in Amami. It exhibits mud-dyeing techniques.
The Oshima Tsumugi Art Museum in Amami. It collects and preserves textiles.