Amakusa Shiro and the Rebellion
The record of a rebellion led by a sixteen-year-old; its banners and crosses carry both faith and revolt at once.
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The record of a rebellion led by a sixteen-year-old; its banners and crosses carry both faith and revolt at once.
A castle built on a sand spit, using the narrow strip of land between two seas as its defence.
Geometric patterns stitched over a ball; a pastime of the lords' daughters that became a common toy.
Five centuries of rice shochu; the timber distilleries along the river have been repaired after each flood and kept working.
One of Japan's three swiftest rivers; the 2020 flood reshaped its valley and reopened the question of how close to live.
A post town whose street of shops and bathhouses still centres on its theatre.
Rice fields on a caldera floor, watered by the springs that surface all across it.
Public housing from the Artpolis programme, scattered across the province and judged by how people go on living in it.
Churches scattered through island villages, each paid for by its own congregation once the ban was lifted.
The masons who built Tsujunkyo left dozens of arches across the province, each betraying their school in how it is laid.
A mountain fort raised after a defeat abroad, against an invasion that never came; its octagonal tower is rebuilt.
Fire is swung in circles at Aso's rites; each village's masks are carved differently and repaired down the years.
On one night of the lunar calendar a mirage lines the sea with fires - recorded since antiquity, and the source of a place name.
A bamboo province making baskets and farm tools, their forms arrived at purely through use.
White quarry faces cut into the hills; the porcelain of Arita is made of stone carried away from here.
The road between Kumamoto and Kokura; its post towns keep enough houses to read the highway's scale.
Stone figures set around burial mounds, carved from Aso welded tuff and found almost only in northern Kyushu.
Thousand-year camphors in shrine precincts; Kyushu keeps an unusual number of these giants.
Kato Kiyomasa rerouted a river to plan castle and town as one; the layout of water and roads still shows it.
From the rim the whole 25-kilometre caldera falls into one view - scale itself becoming the landscape.
Shodai Ware Fumoto Kiln in Arao. It fires in a climbing kiln.
Ceramics from Amakusa. Using Amakusa pottery stone, both porcelain and pottery are fired.