Yakage-juku
The only post town where both official inns survive as Important Cultural Properties, with the lords' rooms intact.
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The only post town where both official inns survive as Important Cultural Properties, with the lords' rooms intact.
One dyer suggested each house hang its own curtain; a preservation district gained a layer of colour.
Farm baskets with no ornament at all - the form held entirely by the strength of the weave.
In an old farmhouse, comparing beckoning cats in clay, papier-mache and porcelain from every district.
Named for the castle's nickname: flowers and birds carved in relief on trays and boxes, finished in lacquer.
Recorded in 8th-century documents; a handful of workshops still make it.
A cotton and salt port, with the temple where the monk Ryokan trained on the hill above it.
The fourth-largest keyhole tomb in Japan, and climbable because it is not an imperial grave - evidence Kibi rivalled the capital.
Grassland kept open by burning it every year - a landscape that exists only because people maintain it.
A fan-shaped locomotive shed and turntable kept working - industrial geometry left legible.
Nine thousand naked men contend for a wooden token - a mass of bodies that reads as moving sculpture.
The largest of Japan's five sword traditions; roughly half of all National Treasure blades were forged here.
An 1889 spinning mill converted rather than demolished - an early case of industrial reuse in Japan.
The painter who bought the Ohara collection was a painter first; his own canvases show what his eye was trained on.
Samurai houses below the mountain castle, where the relation of fortress to town can be read in the terrain.
Stone-walled terraces along the mountain valleys, drawing the contours into visible lines.
The traditional industry hall in Bizen. It displays unglazed, high-fired stoneware vessels.
The ceramics museum in Bizen. It collects and preserves Bizen ware.
The kilns of Imbe, Bizen. Climbing kilns are clustered in a town lined with chimneys.
Mushiake ware of Setouchi. Tea ceremony ware with a pale glaze is fired here.
Sakazu ware of Kurashiki. It follows in the line of the mingei folk craft movement.
The hariko of Kurashiki. Folk toys made by pasting layers of paper over a mold.
The glass of Kurashiki. Blown glass begun by Kodani Shinzo, it was praised by the mingei folk craft movement.