Sakai Rishonomori
On Sen no Rikyu and the poet Akiko Yosano, both born here; tea is served in a copy of Rikyu's own room.
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On Sen no Rikyu and the poet Akiko Yosano, both born here; tea is served in a copy of Rikyu's own room.
Sakai mass-produced the first Japanese guns; that forging skill turned into knives, and most professional chefs' blades still come from here.
Dye poured through stencilled paste so it soaks clean through - the cloth comes out identical on both faces.
A self-governing town built around a temple, and the only preservation district in Osaka prefecture.
Objects said to be Michizane's own are National Treasures; the district was home to the clan that made the haniwa.
The writer's study left as it was, beside an eleven-metre wall of his own 20,000 books, built by Tadao Ando.
Thought to be an emperor's tomb; the ritual platform of house, human and animal figures was excavated and rebuilt in place.
Founded on a cotton family's gift; its celadon vase and Heian manuscript are both National Treasures.
Japan's first open-air architecture museum, comparing farmhouse types from every region on one site.
A sandbar between two rivers dense with public buildings from Meiji to Showa - water and architecture forming the city's spine.
Small 1920s and 30s office blocks in the merchant quarter, faced in Art Deco and even Mayan-revival ornament.
A quarter spared by the bombing, its wooden row houses and alleys now being converted into shops and galleries.
Home of the puppet theatre born in Osaka; each head is carved by a specialist and repaired down the generations.
A city of canals and bridges, many of them built at merchants' own expense - their names still carry those origins.
Incense making began where the aromatic woods landed; blending and forming are still separate trades.
Where the river traffic met the highway; the old boatmen's inn survives as a museum.
Japan's first estate of houses sold to commuters - the model on which railway companies built the suburbs.
Shigemori Mirei laid a dry garden in the keep's yard, its stones arranged as the battle formations of a Chinese strategist.
By Ogawa Jihei, who defined the modern Japanese garden - hidden behind the city art museum.
Giant three-dimensional signs - a crab, a pufferfish, an octopus - built out over the street as the city's own visual idiom.
Visitors spiral downward past the tanks - a building where the route itself decides the order of what you see.
An early example of a full Noh stage built indoors, bridge and painted pine and all.
The Mint opens its grounds for one week a year, one-way, past 130 varieties of cherry planted in sequence.