Fishing Villages of Mugi
Houses ringed with stone against wind and wave, the whole hamlet built almost as one structure.
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Houses ringed with stone against wind and wave, the whole hamlet built almost as one structure.
Cedar planted on precipitous slopes and hauled out by sledge; its tight rings go into buildings and barrels.
Indigo planted where the river floods and enriches the soil - a crop chosen to turn disaster into profit.
A greenish schist that splits into flat slabs, shipped nationwide for gardens and stone monuments.
Heian and Kamakura images survive along the pilgrim route - the pilgrimage itself acting as their protection.
Indigo money paid for the floats; the carving and embroidery record the merchants' wealth.
Salt fields once covered this shore; their divisions remain in the land, an industry that stood beside indigo.
The furnishings of a domain enriched by its indigo monopoly - the economy visible in the lacquer.
Stretches were deliberately left unbanked to let floods pass - villages and fields laid out on the assumption of inundation.
A town laid out along its rivers, with landing stages behind the storehouses.
Umbrellas and lanterns of bamboo and paper, some covered in indigo-dyed sheets.
Indigo-rich farming villages could afford altars, and so a whole trade grew to supply them.
Artist residencies opened the door to migrants and satellite offices - cultural policy that changed a village's demography.
The river cut down through crystalline schist; the layered rock faces repeat like a drawn pattern.
Blue schist set upright in ranks - an unusually forceful dry garden of the Momoyama period.
The house behind a famous puppet play, now performing it daily so the handling can be watched at close range.
Eighty-eight temples over 1,400 kilometres, with stone markers turning the distance itself into structure.
Awa Shoai Shijira-ori from Tokushima. The tension of the warp threads is varied to create an uneven surface on the cloth, reducing the area that touches the skin.
Waza no Yakata in Kamiita. Visitors can try indigo dyeing and wasanbon sugar making.
Ai no Yakata in Aizumi. It uses the residence of an indigo merchant and presents the process of making sukumo.
Furusho Dye Works in Tokushima. It dyes shijira-ori with natural indigo.
The Yano workshop in Tokushima. It dyes with natural indigo.