Industrial Structures of Kurobe Gorge
Power stations deep in the gorge, built to a level of design nobody was expected to see.
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Power stations deep in the gorge, built to a level of design nobody was expected to see.
Townhouses raised on stone retaining walls above a cliff - silk and paper wealth expressed as vertical construction.
The peddlers who walked all Japan handed out woodblock-printed papers and prints - a channel that carried pictures to ordinary homes.
Japan's highest waterfall, painted into the Tateyama mandalas as the boundary between hell and paradise.
A disused canal kept as water and made into a park - industrial remains recomposed as landscape.
Bulb fields divided by colour for production become, unintentionally, a vast composition in flat colour.
Carving studios line the temple approach, and even the shop signs are carved - the whole town a display.
A 1930 training barque preserved afloat, its rigging standing as pure structure.
Woodworker, carver, metalsmith, lacquerer and gilder each take a part - the town's whole craft in one object.
Over a hundred lion dances survive in one city, each hamlet's carved head differing enough to trace its lineage.
Merchant houses at a Kitamae port, opening to the sea with their storehouses ranked behind.
Paper from Gokayama kozo and hemp cloth woven in the hills - work for the months the snow shut everyone in.
A route climbing 2,000 metres, whose annual snow clearing carves twenty-metre walls - a form remade each spring.
Painters born in this province, among them the bird-and-flower master Ishizaki Koyo, are held across its museums.
The washi of Gokayama. The paper mulberry is laid out on the snow to bleach it.
The casting museum in Takaoka. It displays molds and casting tools and conveys the history of the production area.
The local industry center of Takaoka. It brings together copperware and lacquerware for exhibition and sale.
Nousaku in Takaoka. It casts tin and makes vessels that bend. Visitors can tour the factory and try casting.
Orii in Takaoka. It has the coloring technology of giving color to copper and brass with chemicals.
Shimatani in Takaoka. It hammers orin, the bowl-shaped bells used as Buddhist altar fittings, and tunes their sound.