Mashiko Museum of Ceramic Art
Holds the potters at the centre of the mingei movement, with Hamada's relocated house in the grounds.
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Holds the potters at the centre of the mingei movement, with Hamada's relocated house in the grounds.
Heavy everyday ware that became the face of mingei once Shoji Hamada settled here; nearly 400 kilns remain.
The world's largest museum devoted solely to Imari and Nabeshima porcelain, spread over a wooded hill.
Geometric lattices assembled without a single nail, a trade descended from the Toshogu craftsmen.
Thick Hodomura paper, used for mounting scrolls and formal certificates.
In a town of toy factories, collecting mass-produced Showa toys as design objects.
Not a craft district but a scattering of individual studios, built up by artists who moved here.
Five hundred stalls twice a year, the model on which Japan's other pottery fairs were built.
Eight in ten of Japan's daruma dolls are made here, their brows drawn as cranes and beards as tortoises.
The world's first public bonsai museum, beside the village founded by Tokyo growers who fled the 1923 earthquake.
Japan's first public museum devoted to dolls, in the town that has made their heads for centuries.
Paper made from kozo alone, supplying Edo for centuries; the technique is UNESCO Intangible Heritage.
Where Hosokawa paper is made, showing the whole process from boiling the bark to drying the sheet.
Said to have begun when craftsmen who came to build Nikko Toshogu started production in Kasukabe, a paulownia-growing area. A national traditional craft.
A doll-making town of 380 years, stacking 1,800 dolls on a seven-metre tier.
Faces built up in layers of shell white over paulownia paste, a trade traced to the Toshogu craftsmen.
Timber rafted down to Edo from these hills; sawmills and woodworkers still shape the town.
A joinery town whose craftsmen now fit out public buildings with local timber.
Founded by growers who left Tokyo after the 1923 quake, with street widths and hedges written into its rules.
A full-scale reconstructed Edo town where craftsmen actually work in the buildings.
Where the Shirakaba writers gathered by the lake - and where Soetsu Yanagi first conceived the mingei movement.
Thirty thousand dolls fill the town, and a shrine's sixty stone steps become a tiered display.
Holds one of only three Yohen Tenmoku tea bowls in the world, its glaze scattering starlike spots that shift with the light.
Overlooking the palace moat, with a room of potsherds gathered from kiln sites worldwide - beauty taught through fragments.