Kochi Castle
The only castle in Japan keeping both its keep and its main palace, fitted with stone spouts against the heavy rain.
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The only castle in Japan keeping both its keep and its main palace, fitted with stone spouts against the heavy rain.
Holds the botanist Makino's exacting plant drawings, under timber roofs that Naito made ripple along the slope.
Bridges built without railings, designed to be submerged by floods rather than resist them.
Six Kuma buildings in a mountain village of three thousand, each designed outward from locally sourced cedar and thatch.
Local cedar split thin and hung from the ceiling like falling timber; shoes come off, and readers lie on the floor.
A landowner taught himself clockmaking by taking one apart, then built this tower - gears and all - by hand.
Rows of little tile eaves are set partway up the walls to shed typhoon rain - a climate detail that became the elevation.
Where Kukai trained in a cave, and from whose opening - sky and sea only - he is said to have taken his name.
The 31st pilgrimage temple, with a garden attributed to Muso Soseki and a pagoda above the bamboo.
Separate stalls share one seating floor - a building that leaves the division of space to its users.
Villages set high above the flood line, roof pitch and orientation dictated by wind and rain.
A samurai quarter hedged in bamboo rather than walled in stone - a Tosa solution.
Roadside huts built to serve tea to travellers; thirteen survive, still tended in rotation by residents.
Filled-in moats became roads, so the castle town's skeleton survives as the modern street plan.
A brewing town of white-walled storehouses, and the birthplace of the botanist Makino.
A pole-and-line bonito port, its beach sheds and slipways laid out to suit the method.
Flat-bottomed boats for shallow water, their shape decided by the river rather than by pattern.
A late Maekawa building, holding everything from Buddhist sculpture to contemporary art, low along a park lake.
Japan's fourth national museum, framed to show Japanese culture as it formed through exchange with the rest of Asia.
Head shrine of all Tenmangu; its temporary hall, by Sou Fujimoto, carries a living grove on its roof.
Where the float festival begins; one decorated float stands here all year, so the doll-makers' work is always visible.
Two square tubes projecting horizontally from a hilltop - nicknamed the binoculars, and a key early Isozaki.
A cluster of buildings from the port's trading heyday; its timber station was the first in Japan made an Important Cultural Property.