Yatsushiro Municipal Museum
An early Toyo Ito public building: the store buried underground and grassed over so it reads as a hill.
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An early Toyo Ito public building: the store buried underground and grassed over so it reads as a hill.
Thatched roofs over Momoyama polychromy - the southernmost shrine buildings designated National Treasure.
Its walls end in a projecting lip - a rare feature in Japan, thought to come from Western fortification.
A church at the end of a fishing village lane, its floor laid with tatami so the congregation kneels to pray.
Its two-storey gate collapsed in the 2016 earthquake; the timbers were salvaged and it took seven years to raise again.
Built by merchants pooling shares; its ceiling is covered in their painted advertisements, and it is still a working theatre.
A Dutch engineer's design executed by Amakusa masons - the only Meiji port surviving complete, quay, canal and bridges.
A stone aqueduct built to water a dry plateau; to clear its pipes it blasts water from both sides - the first civil structure made a National Treasure.
A castle built on a sand spit, using the narrow strip of land between two seas as its defence.
Five centuries of rice shochu; the timber distilleries along the river have been repaired after each flood and kept working.
A post town whose street of shops and bathhouses still centres on its theatre.
Public housing from the Artpolis programme, scattered across the province and judged by how people go on living in it.
Churches scattered through island villages, each paid for by its own congregation once the ban was lifted.
The masons who built Tsujunkyo left dozens of arches across the province, each betraying their school in how it is laid.
A mountain fort raised after a defeat abroad, against an invasion that never came; its octagonal tower is rebuilt.
The road between Kumamoto and Kokura; its post towns keep enough houses to read the highway's scale.
Kato Kiyomasa rerouted a river to plan castle and town as one; the layout of water and roads still shows it.
Its ground-floor glass folds fully open so street and gallery become one floor, under a timber lattice copying the province's basketry.
A lane cut through a tuff hill, with temples and samurai houses on both banks - a town carved out of the ground.