Sakitama Burial Mounds
A sword inlaid with 115 gold characters - the single most important written object of fifth-century Japan.
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A sword inlaid with 115 gold characters - the single most important written object of fifth-century Japan.
Kengo Kuma clad it in 20,000 irregular granite slabs; at its heart is a theatre walled in eight-metre bookshelves.
A museum where visitors make images rather than only watch them, and home to an international film festival.
Home to one of Japan's largest wooden waterwheels, telling the land's story through its rivers.
On the site of Japan's first airfield, tracing how aircraft form changed through real machines.
Jointly run by a university and a city, sharing the work of storage and display.
Among the world's largest shell mounds; a cut section shows 5,000 years of deposit as a standing wall.
The prefecture's central museum, designed as one with the ecological garden outside it.
The national museum of Japanese history, known for reconstructing whole streets and buildings at full size.
A district dense in figural haniwa, each with its own face and hairstyle - the Kofun people made specific.
On the Satomi warlords and the sea-facing life of southern Boso.
Photographs taken by Tokugawa Akitake, who went to the Paris Exposition - a key body of early Japanese photography.
Built over an early Jomon site, preserving its hearth pits in place.
The pre-reclamation fishing town rebuilt at full size outdoors, with its narrow wooden boats.
Japan's oldest museum and holder of the most National Treasures; its buildings alone span Meiji to the present.
Forty-eight seventh-century gilt bronzes ranged in darkness, inside Yoshio Taniguchi's glass-and-water pavilion.
The imperial collection, including Jakuchu's thirty bird-and-flower scrolls - the outer limit of precision in Japanese painting.
Japan's only national film institution, restoring near-lost prints to projectable condition.
A million volumes of Asian studies; its centrepiece is a two-storey wall of books, the Morrison Library.
On the history of reproducing text, with a working letterpress studio visitors can use.
A raised structure like a storehouse on stilts, showing the city's memory at full scale, including a life-size Nihonbashi; after about four years of major renovation, it reopened on March 31, 2026.
A block of 1840s Fukagawa rebuilt at full size, cycling through a day in light and sound.
Designed from Miyazaki's own sketches, deliberately without a fixed route, so visitors get lost on purpose.
Junzo Sakakura's 1951 building, a light box lifted over a pond - the starting point of postwar Japanese modernism.