Toyama Glass Studio
Built when the city decided to become a glass town; three decades of training has kept the artists living here.
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380 entries / page 5 of 16
Built when the city decided to become a glass town; three decades of training has kept the artists living here.
Three papermaking districts designated together; at Yatsuo the paper itself is stencil-dyed.
Ninety percent of Japan's bronzeware; begun when the Kaga domain summoned seven casters, now casting contemporary design.
Known for aogai - shell shaved paper-thin and inlaid, shifting through the spectrum as the light moves.
Most of Japan's sedge hats are made here, from growing the sedge to the final stitch.
Taught by Kyoto carvers who came to rebuild the temple; the street is still lined with workshops using 200 kinds of chisel.
Turning begun with timber floated down the river; the blanks it makes go to lacquer towns across Japan.
Woodworker, carver, metalsmith, lacquerer and gilder each take a part - the town's whole craft in one object.
Paper from Gokayama kozo and hemp cloth woven in the hills - work for the months the snow shut everyone in.
More realist than Kyoto yuzen - it even paints the holes insects left in leaves - and built on five set colours.
Ninety-nine percent of Japan's gold leaf, beaten to one ten-thousandth of a millimetre - the gilding of Kinkakuji and Nikko alike.
Begun when the domain imported Edo lacquerers; its raised maki-e uses gold without restraint.
Gold and silver hammered into cut iron, a technique born on armour and now turned to jewellery.
Five overglaze colours covering the surface entirely; the kiln died out once, and each revival changed its style.
Held to have Japan's finest woodturning: blanks cut with the grain, then scored on the lathe in hairline rings.
Powdered diatomaceous earth in the ground coat and 124 divided steps make it the toughest lacquer in Japan.
Japan's last agehama salt fields, where seawater is carried by bucket and scattered over sand by hand.
The city takes in young craftspeople for three years; their workshops are open, so the daily work is visible.
A tumbler doll shaped as a swaddled infant, painted red to ward off smallpox.
Kanazawa turned flat paper cords into three-dimensional cranes and pines - the wrapping itself becoming the object.
Held to be Japan's oldest paper district, and the only one with a shrine to the deity of paper itself.
Begun when a Kyoto swordsmith made sickles here; two blades are hammered out together in a technique found nowhere else.
Nailless joinery dressed in heavy iron mounts, as befits a blacksmithing town.