Mitsubishi Ichigokan Museum
A faithful reconstruction of Conder's 1894 office block, showing late 19th-century European art.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
351 entries / page 5 of 15
A faithful reconstruction of Conder's 1894 office block, showing late 19th-century European art.
Overlooking the palace moat, with a room of potsherds gathered from kiln sites worldwide - beauty taught through fragments.
Grown from the Bridgestone founder's collection, hanging Impressionism beside modern Japanese oil painting.
Three centuries of Mitsui family collecting; one of only two Japanese-made tea bowls designated National Treasure is here.
A museum with no collection of its own: 14,000 square metres of galleries lent out - a container, by design.
A museum on the 53rd floor, and among the first in Japan to treat contemporary Asian art systematically.
Its stated theme is beauty in daily life - lacquer, glass and textiles shown as art because they were made to be used.
Korin's irises are shown each year exactly when the real irises bloom, in a garden hidden behind Omotesando.
An imperial prince who saw Art Deco in Paris brought French decorators home; Lalique's glass doors are still in place.
Japan's first private art museum, in a Chinese-styled building by Chuta Ito, holding a Heian National Treasure Buddha.
The Sumitomo family's Chinese bronzes are among the finest such holdings outside China.
A private museum of postwar Japanese ceramics, its spiral glass staircase designed as part of the display.
One businessman's collection spanning Egypt, Gandhara, Chinese ceramics and the Impressionists.
Japan's largest public museum for photography and moving image, from 1860s albumen prints to video art.
Soetsu Yanagi built it to show anonymous craftsmen's work as art; he designed the building and even the display stands.
Known for exhibitions about materials and technique - art seen from the side of making.
Holds the major surviving sections of the 12th-century Tale of Genji scrolls, shown just once a year.
Low pavilions in a park wood, with a deliberate policy of collecting self-taught artists.
For one of Japan's first professional women manga artists, showing her originals beside the art she collected.
Seiichi Shirai's masterwork: almost windowless, lit through an oval void at its centre.
Among Japan's largest ukiyo-e museums, hidden behind Harajuku, with a tatami-floored gallery.
Devoted to modern Nihonga; Gyoshu Hayami's moths circling a flame are shown only a few times a year.
A private porcelain museum that lines up one vessel type by date, so technique can be watched changing.
Holds one of Van Gogh's seven Sunflowers, moved in 2020 from a skyscraper's upper floors to its own building.