Kamakura Museum of National Treasures
Built after the 1923 earthquake to safeguard the temples' treasures, strong in realist Kamakura sculpture.
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323 entries / page 6 of 14
Built after the 1923 earthquake to safeguard the temples' treasures, strong in realist Kamakura sculpture.
Housed in a 1904 bank whose dome, burned in the 1923 earthquake, was rebuilt; an Important Cultural Property.
Raw silk shipped from this port funded Japan's modernisation; the museum follows the whole process.
Ten thousand dolls from 140 countries, showing how far one shared form diverges between cultures.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
For the creator of Doraemon, showing the originals - colour, corrections and all - rather than the printed page.
Objects made to hide a forbidden faith - Kannon figures concealing crosses inside them.
Home of the Katsusaka pottery type, whose middle-Jomon vessels are almost overloaded with ornament.
On the medieval Buddhist sculpture of Sagami, showing how Kamakura's style spread into the countryside.
The estate of Echigo's greatest landlord: over a hundred rooms on three hectares, with a hall spanned by single cedar beams.
Keeps the only surviving customs house of Japan's five treaty ports, built at the end of the shogunate.
Systematic on the flame-shaped Jomon pots, and on snow-country life reconstructed at full size.
Fifty-seven flame-shaped Jomon vessels designated National Treasure together - pottery rarely receives that status.
A metalworking town's archive, following a single copper sheet as hammering turns it into a vessel.
A mountain split in two by hand; the mine that backed Edo's gold currency, now a World Heritage industrial landscape.
An island museum where exile brought court culture; its Noh masks and Buddhist images still show it.
Made only along this one river: cooking pots whose rims erupt into flame-like projections.
Among the world's oldest jade-working sites: 5,000 years ago people here were drilling and polishing the hardest stone.
Nine small museums on a hillside, treating even the tools and printing blocks of the medicine peddlers as craft.
Holds Tateyama mandalas - paintings that mapped the mountain as heaven and hell, produced in numbers for pilgrims.
Two-thousand-year-old cedar stumps displayed still submerged - natural masses presented as sculpture.
The peddlers who walked all Japan handed out woodblock-printed papers and prints - a channel that carried pictures to ordinary homes.
Three Meiji brick arsenals in a row on a wooded hill, all Important Cultural Properties.
The heirlooms of the Kaga domain's chief retainers - armour and letters marking the rank of a great house.