Echizen Ware
One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
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One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
Said to be 1,500 years old, and now making 80 percent of Japan's commercial lacquerware - lacquer as working tableware.
Eggshell, shell and pine needles are buried in the lacquer, then ground back to reveal the pattern.
Agate heated until its colour changes, then carved and polished - a technique surviving only here.
Quarried for 1,500 years and soft enough to carve; wet, the stone deepens to blue-green.
Lacquer patterned onto deerskin, and a smoke-dyeing method kept as oral secret for four centuries.
Crystal from the local gorge carved and polished by hand; the stone ran out but the skill founded a jewellery industry.
Paper for calligraphy, made since the 1500s and still varied sheet by sheet to control how ink bleeds.
A paper town that also makes fireworks - the shells are wound from paper, so the two trades grew together.
Thin lustrous silk that sold in Edo for linings and umbrellas, woven in this valley.
Stone that weathers to rust-red, quarried for gardens; the craft includes choosing and setting it, not only cutting.
A temple-gate trade in Buddhist implements, the beads turned and the tassels braided by separate hands.
A jewellery quarter grown out of crystal carving, its cutting, setting and lapidary studios packed into the city.
Mulberry from the silk fields was worked into furniture once the trees were finished - a cycle of material and craft.
Said to last three generations; its striped and checked colourways follow local conventions.
Iron-rich local earth in the ground coat makes it exceptionally tough; it grew as souvenirs for travellers on the highway.
Kiso hardwoods turned on the lathe and often left unlacquered, so choosing the timber is the real skill.
Two families keep two separate moulds and palettes in the same town - an unusual survival of parallel lineages.
Baskets woven from bamboo bent by snow, made at the gate of a mountain of ascetics for the pilgrims who came.
A precision-machinery town whose skills flowed sideways into glass - industry and craft at close range.
Mino paper stretched so thin the bamboo ribs show through when the lantern is lit.
Most of Japan's paper umbrellas came from here; looked up into, the threads binding the ribs form a geometric pattern.
Paper made here survives in the 8th-century Shosoin; fibres crossed both ways make it thin, even and hard to tear.