Nomi Kutani Ware Museum
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
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323 entries / page 7 of 14
Kiln-site sherds trace the technique's changes, beside a working studio and climbing kiln.
At the centre of the Kutani district, on the twin industries of stone quarrying and pottery.
A 1950s street rebuilt at full size, its objects placed to match period photographs.
A Sengoku castle town buried whole and excavated street by street; its four gardens are Places of Special Scenic Beauty.
Excavated stone paving preserved exactly where it was found - the Sengoku ground lies under the museum floor.
A silver egg half-buried in the hills; among the world's three great dinosaur museums, architecture and display conceived together.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
The heart of the Kawada lacquer district, where each divided stage can be watched in the workshops next door.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Lacquer objects 12,000 years old from Torihama - among the earliest known use of lacquer anywhere.
Coffins hollowed from local stone show it was being worked as far back as the fifth century.
The port where refugees on Sugihara's visas came ashore, rebuilt around photographs and testimony.
One of the provincial temples founded by the state; its foundation stones still map the scale of the compound.
On the province that supplied the imperial table, with a workshop where visitors grind their own lacquer chopsticks.
Themed on the province's rivers and the people who kept living beside them despite the floods.
Shigeru Ban hung a paper-covered inverted cone over water, so its reflection becomes the mountain.
A third of Japan's jewellery is made here; cutting and setting are demonstrated in front of visitors.
One site yielded 1,116 clay figures, nearly all deliberately broken - breaking them appears to have been the ritual.
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.
A hundred thousand prints gathered over five generations by one Matsumoto merchant family - the largest such private holding in the world.
Founded with one merchant's own money and one line of policy: beautiful things are beautiful.
Once the world's greatest silk-reeling town; a working mill next door still draws thread from cocoons.
The only museum holding two National Treasure clay figures - the swelling Venus and the masked goddess.