Kiriko Festivals of Noto
Giant lacquered and gilded lanterns, up to fifteen metres tall, carried each summer by over 200 hamlets.
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443 entries / page 7 of 19
Giant lacquered and gilded lanterns, up to fifteen metres tall, carried each summer by over 200 hamlets.
Held to be Japan's oldest paper district, and the only one with a shrine to the deity of paper itself.
A place to try papermaking. At the Udatsu Craft Museum, you can watch craftsmen demonstrate the work.
Nailless joinery dressed in heavy iron mounts, as befits a blacksmithing town.
One of Japan's six ancient kilns; unglazed, its surface coloured only by falling ash, and once shipped all along the north coast.
On a hill where over 200 medieval kilns were found, lining up the great storage jars by century.
Over 90 percent of Japan's spectacle frames come from here - a winter side job that became a world titanium centre.
Agate heated until its colour changes, then carved and polished - a technique surviving only here.
Cloth dolls of such density they read as sculpture, by a maker who works only in cotton.
Lacquer patterned onto deerskin, and a smoke-dyeing method kept as oral secret for four centuries.
Crystal from the local gorge carved and polished by hand; the stone ran out but the skill founded a jewellery industry.
A third of Japan's jewellery is made here; cutting and setting are demonstrated in front of visitors.
Founded by a Nobel laureate with his own funds, and collecting women artists exclusively - rare in Japan.
Paper for calligraphy, made since the 1500s and still varied sheet by sheet to control how ink bleeds.
A paper town that also makes fireworks - the shells are wound from paper, so the two trades grew together.
Stone that weathers to rust-red, quarried for gardens; the craft includes choosing and setting it, not only cutting.
A temple-gate trade in Buddhist implements, the beads turned and the tassels braided by separate hands.
A jewellery quarter grown out of crystal carving, its cutting, setting and lapidary studios packed into the city.
Mulberry from the silk fields was worked into furniture once the trees were finished - a cycle of material and craft.
Founded with one merchant's own money and one line of policy: beautiful things are beautiful.
The original Japanese craft fair, which established makers selling their own work and set the pattern for the rest.
One of the world's great collections of Art Nouveau glass, including major works by Emile Galle.
Holds Fujisan, the only tea bowl by Hon'ami Koetsu designated a National Treasure, shown about once a year.
Kiso hardwoods turned on the lathe and often left unlacquered, so choosing the timber is the real skill.