Gifu City Museum of History
On the castle town Nobunaga built, with his free-market street reconstructed at full size to be walked through.
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On the castle town Nobunaga built, with his free-market street reconstructed at full size to be walked through.
Terunobu Fujimori shaped the building like the clay pit itself, its walls studded with tiles so the architecture is the specimen.
Sherds from the kilns that fired Shino and Oribe - technique read from the failures rather than the finished pots.
From Momoyama tea ware to modern export porcelain, including the designs made purely for foreign markets.
Smiths forge in public here on set days - the sparks and the sound included in what is shown.
Following Hon-Minoshi from the growing of the bark to the finished sheet, in one continuous display.
Where Japan's first airfield stood; aircraft are shown with their frames exposed, form following function.
An inverted cone of cypress lattice whose reflection forms the mountain; the spiral inside stands in for the climb.
Japan's first public instrument museum, in a town of instrument makers, ranking no culture above another.
A Showa-era pottery town rebuilt full size, the kiln sheds standing beside the station that carried the wares out.
Three thousand beckoning cats; set side by side, each district's face and paw height give its origin away.
Six buildings on the single theme of clay, from Islamic and European decorative tiles to a hall where visitors handle mud.
The largest holding of Watanabe Kazan, the samurai painter who brought Western shading into Japanese portraiture.
In the old castle park, holding work by Nakamura Fusetsu, who was both calligrapher and oil painter.
A 1904 porcelain works, keeping its brick buildings and the ornate export ware made in them.
In the original loom works, with the machines still running - the path from textiles to cars made visible.
Japan's first private public library; its exhibitions treat bindings and illustrations as objects, not only texts.
The Owari Tokugawa library intact - a rare case where what a daimyo house actually read survives as a whole.
Held to be where glaze was first applied deliberately in Japan - the ash glaze invented here led on to Seto ware.
Museum and research institute together, lining up the great medieval jars made with nothing but clay and fire.
In the cloisonne district, where the setting of the silver wires can be watched and tried.
Natural history and human history in one building, organised around the bay that shaped the province.
A Western building by the architect of the Akasaka Palace, holding the robes and treasures replaced at each rebuilding.