Nakano Clay Dolls
Two families keep two separate moulds and palettes in the same town - an unusual survival of parallel lineages.
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Two families keep two separate moulds and palettes in the same town - an unusual survival of parallel lineages.
Baskets woven from bamboo bent by snow, made at the gate of a mountain of ascetics for the pilgrims who came.
A precision-machinery town whose skills flowed sideways into glass - industry and craft at close range.
One of the world's major holdings of Odilon Redon, including his great sequences of black lithographs.
Mino paper stretched so thin the bamboo ribs show through when the lantern is lit.
Most of Japan's paper umbrellas came from here; looked up into, the threads binding the ribs form a geometric pattern.
Japan's only public museum devoted to contemporary ceramics, inside Isozaki's Ceramic Park.
Terunobu Fujimori shaped the building like the clay pit itself, its walls studded with tiles so the architecture is the specimen.
Sherds from the kilns that fired Shino and Oribe - technique read from the failures rather than the finished pots.
From Momoyama tea ware to modern export porcelain, including the designs made purely for foreign markets.
The man who found a Shino sherd in these hills and proved Momoyama tea ware was made in Mino, not Kyoto.
Paper made here survives in the 8th-century Shosoin; fibres crossed both ways make it thin, even and hard to tear.
Paper light sculptures set out along the old street, with the town's own lamps switched off for the night.
Carved from yew and never painted, so the wood's red and white heartwood does the work and deepens with age.
A small municipal museum built around glass, with a programme for local makers.
Much of Japan's plastic food comes from makers born here - a craft of making a dish look better than the dish.
Isozaki threaded long galleries down a valley slope, making a central apparatus for the pottery district.
A warrior tea master from Mino who broke symmetry on purpose - the man who introduced deliberate irregularity to Japanese form.
Following Hon-Minoshi from the growing of the bark to the finished sheet, in one continuous display.
A paper district that also developed the folding and knotting of paper - wrapping and tying as form.
A dance held on thirty nights of the year, its rhythm made by clogs striking the stone street - the pavement as instrument.
Bamboo shaved into round rods and slotted together - other regions use flat splints, so its curves are unique.
Three National Treasures, in galleries remade by Hiroshi Sugimoto in black plaster to rebuild the light for the objects.