Nikko Kanaya Hotel
Japan's oldest surviving resort hotel, its interiors carved in the local Nikko-bori style.
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Japan's oldest surviving resort hotel, its interiors carved in the local Nikko-bori style.
An Edo merchant house, a Meiji villa and a Taisho wing joined into one 106-room building.
Antonin Raymond clad this lakeside villa in cedar bark laid in a checkerboard - geometry from raw material.
Built by the diplomat Ernest Satow, the villa that made Nikko an international summer resort.
Called Japan's oldest school, keeping National Treasure Chinese classics and a Confucian hall.
A river-trade town of white-walled storehouses, nicknamed 'little Edo'.
Three 200-year-old earthen storehouses turned into galleries, exhibiting under their original beams.
The estate of a family of village heads for 550 years, its sukiya-style annex exceptional in materials.
Geometric lattices assembled without a single nail, a trade descended from the Toshogu craftsmen.
Nineteenth-century English stained glass reinstalled in purpose-built stone chapels.
The record of how irrigation canals turned an alluvial fan into farmland.
A rice merchant's storehouse and residence converted into galleries, the buildings themselves listed.
One of only three national ordination platforms in ancient Japan, and the only one in the east.
A sixteen-sided Hoffmann kiln for continuous brick firing - one of only four left in Japan.
A Romanesque church built of Oya stone, among the largest surviving Oya-stone buildings and a Registered Tangible Cultural Property.
A pilgrimage town whose inns and shopfronts layer centuries of visitors.
Black fences run the length of the river - a logistics structure that became the town's face.
A station built in the shape of a steam locomotive - machinery translated into architecture.
Arata Isozaki built it from pure cubic grids - a museum that asks in form what a museum is.
In its grounds stands a copy of Antonin Raymond's own house - a key example of Japanese modernist domestic architecture.
A state silk mill of timber frames filled with brick; its 140-metre column-free reeling hall is a National Treasure.
Sou Fujimoto gutted a 300-year-old inn into a vertical void, with contemporary artworks built into the fabric.