Sengukan Museum
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
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323 entries / page 9 of 14
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
On stencil cutting and inkstick making, with carvers working in front of visitors.
The Banko district's own hall, showing mould forming and the cutting of a teapot's built-in strainer.
A relocated farmhouse full of mechanisms - revolving walls and floor caches - shown as carpentry, not legend.
The building that made Hiroshi Naito's name: timber-framed storehouses standing as strongly as what they hold.
Where cultured pearls first succeeded; its Meiji exhibition pieces come apart and reassemble into different ornaments.
The palace of the unmarried imperial princess sent to serve at Ise; excavation confirmed its grid plan.
The gear of free-diving women, their cloth still stitched with star and grid marks to ward off harm.
Built around Otsu-e folk paintings and the Buddhist art of Mt Hiei, in the town that served both.
The lord's palace rebuilt in timber to hold the Ii family's red-lacquered armour and its Noh masks and robes.
The centre of research reconstructing Azuchi Castle; the ongoing argument about its form is itself the exhibition.
Floats built as stages on which children perform kabuki, covered in lacquer, metal fittings and embroidered hangings.
Where Japan's largest bronze bell was found - 134 cm tall - and where 24 were once buried together, for reasons still argued.
On the trading method of the Omi merchants, read through their ledgers and the poles they carried goods on.
An Edo farmhouse moved into its grounds, alongside the Buddhist images the surrounding villages kept.
Bamboo weirs driven into the lake bed draw geometric lines across the water - a fishing method become a landscape.
The central repository for what Kyoto's temples and shrines have handed down, in Katayama's French Baroque halls.
Its annex is Tatsuno's former Bank of Japan branch, red brick banded in white stone, still on Sanjo street.
Traces Buddhism's route from India to Japan, and rebuilds the lost Bezeklik cave murals at full size.
Japan's first private museum of Chinese art, under an octagonal pavilion roof by Goichi Takeda.
Seventy-four Kyoto crafts under one roof, laid out by process to show the city's division of labour itself.
Buried almost entirely underground so as not to disturb the Phoenix Hall's setting, with the bodhisattvas seeming to float off the wall.
Palace foundations preserved in the basement, the throne hall rebuilt full size on the tenth floor - 1,300 years stacked vertically.
A whole block of 1830s Osaka rebuilt full size under an artificial sky that cycles from dawn to night.