Incense of Sakai
Incense making began where the aromatic woods landed; blending and forming are still separate trades.
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380 entries / page 9 of 16
Incense making began where the aromatic woods landed; blending and forming are still separate trades.
Thousands of tiny workshops packed together, their division of labour working as if it were one large factory.
Thick cotton from the flood plain, tough enough for sailcloth and working clothes.
One of the six ancient kilns, and the only district in Japan where the kick wheel turns anticlockwise.
A basket in the 8th-century Shosoin is said to come from here; willow weaving later made this Japan's luggage capital.
Smoked at the end of firing so carbon turns them silver; the demon tiles on the ridge are the tiler's sculpture.
Smiths gathered to rebuild a castle and stayed; the town became Japan's main source of chisels and planes.
Yarn dyed before weaving, so the colour holds; most of Japan's yarn-dyed cotton comes from this valley.
Most of Japan's abacuses; the wood, the turning and the rods together decide how the beads feel and sound.
Hides tanned with nothing but salt and rapeseed oil - an ancient method that grew up supplying armour.
Among Japan's oldest spas; its woven bamboo baskets are said to have been used by Hideyoshi at tea.
A kiln that copied Chinese celadon, extinct for a century and now being revived.
Over ninety percent of Japan's ink; soot and glue kneaded by foot and hand, then dried for half a year.
Said to descend from a method Kukai brought from Tang China; different animal hairs are sorted and blended in water.
Chisel facets are left raw and then painted in strong colour and gold - a technique born from shrine festival dolls.
Reddish clay under a milky glaze, painted with the naive figures known as Nara-e.
Ramie cloth whitened by water and sun alone, supplied to the shogunate for priests' and samurai dress.
Five centuries of planted forest, grown dense and slow so the rings stay fine - the timber that lines sake barrels.
A loose hemp weave that stops insects but not air; when nets fell out of use the cloth survived as kitchen towels.
Red lacquer over black, so wear reveals the black beneath - a craft that treats use itself as the finishing process.
Built in paulownia with almost no metal; the fit is so tight that pushing one drawer pushes another out.
Bamboo from the Koyasan slopes joined through dozens of stages - treated less as tackle than as lacquerwork.
A domain-sponsored paper that died out and was reconstructed by local people from surviving records.