Shiseido Art House
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
443 entries / page 9 of 19
A corporate collection shown free to the public, in an early Yoshio Taniguchi building that won the architectural institute's prize.
Japan's first public instrument museum, in a town of instrument makers, ranking no culture above another.
A hundred and seventy neighbourhoods fly their own crested kites and cut each other's lines; the designs are civic emblems.
One of the kilns favoured by the tea master Kobori Enshu, firing dark iron-rich clay into austere tea caddies.
Kiln sites scattered along a river whose clay fed them, and whose water fed the dye houses too.
Craftsmen gathered to build the shrine and stayed; the woodworking line runs from altars to furniture to model kits.
It began with one man repairing an organ, and became a world centre - a trade needing both woodwork and metalwork.
Three centuries of French painting hung in order, with a room where visitors may sit on Galle and Majorelle furniture.
Tea utensils rearranged each season according to the logic of a tea gathering, not of art history.
Edo tea houses moved into the garden, so the utensils and the rooms they were made for sit on one site.
Silver wires outline the design on copper before the enamel is laid in; Meiji exports made it famous worldwide.
Among Japan's largest public ceramics museums, running from the ancient Sanage kilns to the present, with kiln sites on the grounds.
A Showa-era pottery town rebuilt full size, the kiln sheds standing beside the station that carried the wares out.
Three thousand beckoning cats; set side by side, each district's face and paw height give its origin away.
The oldest and largest of the six ancient kilns; its iron-rich clay fires vermilion, and its teapots are said to soften the tea.
A lane paved and walled with discarded clay pipes and bottles - industrial waste become the fabric of the town.
Six buildings on the single theme of clay, from Islamic and European decorative tiles to a hall where visitors handle mud.
For an artist who moved freely between craft and painting; small, but nationally respected for its exhibitions.
Japan's only museum of roof tiles, re-presenting an industrial product as form.
A 1904 porcelain works, keeping its brick buildings and the ornate export ware made in them.
Among Japan's leading matcha districts; the black shading covers change the landscape by season, and the stone mills still turn.
Held to be where glaze was first applied deliberately in Japan - the ash glaze invented here led on to Seto ware.
Museum and research institute together, lining up the great medieval jars made with nothing but clay and fire.