Takikawa Art and Natural History Museum
Art and natural history under one roof - Sorachi printmakers beside the fossil sea cow dug up in the city.
13,910 entries. Some places appear in more than one collection. Confirm visits with each facility.
12,708 entries / page 93 of 530
Art and natural history under one roof - Sorachi printmakers beside the fossil sea cow dug up in the city.
Designed by William Merrell Vories as a missionary couple's home, and the leading example of his work in Hokkaido.
The shop and residence of a family enriched by herring, kept complete - draper, shipowner and household in one Important Cultural Property.
A small municipal gallery by the lake, showing landscape and daily life in a district that has lived through repeated eruptions.
An Edo town rebuilt at full scale; the accuracy of the carpentry makes it a place to check period stage design on foot.
A Gothic church whose altar was a gift from Pope Benedict XV, on a slope where Orthodox, Anglican and Catholic churches stand together.
Hokkaido's only castle town rebuilt fourteen of its buildings to show the port as it was - the northern limit of Kyoto-derived culture.
A shipping agent's house built into a slope, with the hoist that lifted cargo straight from the water still in place.
Its galleries imitate the walls of an excavation trench; it holds three of the four vast backdrops Chagall painted for the ballet Aleko.
A residency where artists come to make work, wrapped by a long concrete arc that Tadao Ando drew through the forest.
For the printmaker Shiko Munakata, who called his medium 'board painting'; the museum closed in 2024 and its works passed to the prefectural museum.
Paper-and-light figures built for one night and destroyed after it, kept here year-round inside a ribboned red steel shell.
The prefecture's general museum, in a 1931 bank; closed since 2021 and awaiting the end of its refurbishment.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
Kunio Maekawa, central to Japanese modernism, left eight buildings in his mother's home town - his first and last work within one walk.
Kogin stitching filled scarce hemp cloth with cotton thread; the workshop still does it by hand, inside Maekawa's very first building.
A three-storey timber library with octagonal towers at both corners - a provincial master carpenter's reading of Western architecture.
A former bank, Western outside and finished in Tsugaru lacquer and plaster within - the mixture is the point.
An Anglican church whose brick spire stands out sharply among the town's timber Western buildings.
A timber Gothic church holding a 19th-century altar given to it by a church in Amsterdam.
A businessman's villa using the drop of a cliff to hold two different gardens, with Mt Iwaki borrowed as the backdrop.
A Maekawa building inside the castle park, holding the domain's armour and the lacquerware the domain itself fostered.
Festival floats shown beside working demonstrations of lacquer, kogin stitching and goldfish lanterns, close enough to question the makers.
A hall for gathering comes before the galleries here - a design argument that won the Architectural Institute of Japan prize.