Sant Juan Bautista Museum
A replica of the ship that carried Hasekura Tsunenaga to Rome. One of the few places to learn the structure of a wooden sailing ship through models and full-size parts.
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A replica of the ship that carried Hasekura Tsunenaga to Rome. One of the few places to learn the structure of a wooden sailing ship through models and full-size parts.
Black slate inkstones made here for six centuries, once the source of most inkstones in Japan.
Curators' own photographs and salvaged objects from the 2011 disaster, shown as a permanent exhibition.
In the home of Togatta kokeshi, whose big heads and radiating chrysanthemums set them apart.
A street of merchant storehouses built on the safflower trade, a preservation district.
An 1888 school in the pseudo-Western style, timber imitating stone architecture; an Important Cultural Property.
A preserved Meiji police station; the town keeps a whole cluster of pseudo-Western buildings.
One of Japan's oldest surviving domain schools, its garden a National Place of Scenic Beauty.
The only kokeshi lineage whose heads squeak when turned, still turned and painted in the hot-spring street.
Wiped lacquer that keeps the grain visible, grown from the same woodturning trade as kokeshi.
Rebuilt in real timber rather than concrete, a rarity among postwar castle reconstructions.
Yajiro kokeshi wear thick lathe-turned rings on the head, recognisable at a glance.
Paper strong enough to be sewn into clothing, supplied to the Todaiji Omizutori rites.
A thatched farmhouse keeping the older straight-plan form of the Sendai plain.
One of Japan's three great waterfalls, beside a gorge carved into sculptural forms by water.
A private gallery that has long given young Tohoku artists their first solo shows.
A shrine precinct crowded with inscribed stones, a small forest of calligraphy.
The university's specimen collections, near the lecture hall where Lu Xun once studied.
Its first director was the playwright Hisashi Inoue; manuscripts are shown as calligraphy as much as text.
A theatre and gallery kept by a town of 20,000, which served as a shelter after the 2011 disaster.
The lost heart of a port town rebuilt in low timber structures, now studied as recovery design.
From Shigeru Ban's station a single promenade runs straight to the sea - a whole town recomposed.
Kengo Kuma built this market street from local cedar, long low roofs on raised ground.
Housed in a Meiji landlord's mansion, showing the silk-raising trade that made the district.