Hakata Textiles
Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
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Warp packed dense and beaten with heavy weft, so the sash creaks when tightened; its pattern derives from Buddhist implements.
Unglazed and then painted, the surface kept deliberately matt so the skin reads as skin.
Said to have been invented by a twelve-year-old girl who noticed the pattern in a faded cloth; now an Important Intangible Cultural Property.
Built inside like a miniature temple, and finished by seven separate trades in sequence.
A single bamboo strip wound as a spiral for the frame, and the picture painted from inside so it shows when lit.
Its chatter-marked surfaces are cut by holding a blade to the spinning pot; Yanagi held it up as the model of useful beauty.
Founded by Korean potters and redirected to tea ware under Kobori Enshu; known for throwing extraordinarily thin.
A tea kiln opened by Korean potters under the Hosokawa lords, light in the hand and marked by running glaze.
Thin boards bent with heat and stitched with cherry bark, made originally for shrine ritual.
Unglazed clay dolls, best known for a bird-shaped whistle; one workshop still keeps the moulds.
Tops made for street performance, weighted so precisely they will spin on the tip of a sword.
Timber came here by river and shipwrights' joinery turned into cabinetmaking - now Japan's largest furniture district.
Not a craft district but a scattering of individual studios, formed by people who moved here for the coast.
Six thousand warp threads to a single sash; the density decides both the sound and the grip, so one hand oversees it all.