MOMAT Kamakura Annex
An annex behind the great shrine, kept low behind walls and hedges to sit inside the town's grain.
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An annex behind the great shrine, kept low behind walls and hedges to sit inside the town's grain.
Junzo Sakakura's 1951 building, a light box lifted over a pond - the starting point of postwar Japanese modernism.
Rafters radiating like a fan and densely packed brackets - the perfected form of Zen-style architecture from China.
Housed in a 1904 bank whose dome, burned in the 1923 earthquake, was rebuilt; an Important Cultural Property.
One of Yokohama's three towers, built by public subscription, its stairwell filled with stained glass.
Built as a state bonded warehouse, it survived quake and war and now houses exhibitions and performance.
Historic bank buildings opened to artists - the model case for linking urban renewal with contemporary art in Japan.
Seven Western houses on the old foreign settlement hill, including work by Antonin Raymond.
For the novelist behind Kurama Tengu, its brickwork matched to the Western houses on the same hill.
Beside a Yayoi moated settlement, where the shape of a ditched village can be walked rather than imagined.
Twenty-five farmhouses from across Japan, re-sited to suit the terrain - from steep gassho roofs to a boatman's hut.
Hiroshi Sugimoto's entire site as one work: a 100-metre gallery and a tunnel aimed exactly at the solstice sunrises.
The villa and tea house of the utilities magnate Matsunaga, its sukiya detailing intact with the garden.
One of Japan's oldest resort hotels: temple roofs over Western interiors, each room named and carved for a flower.
A double shell of glass and steel punched with circles, so the sea is visible from almost anywhere inside.
The painter's house, its studio designed by Isoya Yoshida with light arranged entirely for the work.
Rebuilt from drawings after a fire; Isoya Yoshida's sukiya architecture, seen as the stage of postwar politics.
A seaside town where Meiji statesmen built rival villas, each composed around the relation of garden to sea.
A low white pavilion on the original pier, where art is met in the middle of the harbour rather than in a sealed room.
Where Japan's first Protestant church was raised; the foreign settlement's grid still shapes the streets.
Among Japan's most visited temples, with a rare octagonal pagoda and an approach ringing with candy-cutters' knives.
A checkpoint rebuilt in timber from excavation and old drawings, beside the paved and cedar-lined Tokaido.