Kyoto National Museum
The central repository for what Kyoto's temples and shrines have handed down, in Katayama's French Baroque halls.
332 entries. Some places appear in more than one collection. Confirm visits with each facility.
INSTAGRAM / 6
No posts linked to this category have been collected yet. Showing posts from the prefecture's official accounts, rotating every minute.
46 entries / page 1 of 2
The central repository for what Kyoto's temples and shrines have handed down, in Katayama's French Baroque halls.
Japan's oldest surviving public art museum building, updated by digging the ground away and sliding a glass entrance beneath it.
Treats craft as the equal of fine art; Fumihiko Maki's building sits quietly between a canal and a giant torii.
Its annex is Tatsuno's former Bank of Japan branch, red brick banded in white stone, still on Sanjo street.
A narrow Gion building used vertically, with a light court on the top floor as the only place the sky appears.
Tea utensils rearranged to the season's gathering, beside a modern sukiya house of the first rank.
Japan's first private museum of Chinese art, under an octagonal pavilion roof by Goichi Takeda.
The potter designed his own house; wheel, kiln and furniture remain exactly as they were, work and life undivided.
Subject matter and ceiling height change with each room's rank, and every painting is composed for the shogun's own seat.
A 120-metre hall holding 1,001 life-size Kannon; 124 survive from the 1100s, and no two faces are the same.
Fifteen stones on 75 square metres of gravel, placed so that from any viewpoint one is always hidden.
Twenty sub-temples bound up with the tea ceremony; many National Treasure tea rooms and dry gardens are still kept closed to the public.
Shigemori Mirei laid gardens on all four sides; the checkerboard of moss and stone brought modern design into the dry garden.
A brick aqueduct runs through a Zen precinct - built after long argument, its design adjusted to sit with the temple.
The height of Momoyama building; its gate is nicknamed the sunset gate, because one loses the day looking at the carvings.
Laid out by Muso Soseki and barely altered in 700 years, taking the mountains behind it into the garden itself.