Sekisui Museum
Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
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Holds the tea bowls of Kawakita Handeishi, a banker-potter ranked in his day beside Rosanjin.
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
Stencils for dyeing kimono, sometimes cut with over a hundred holes per square centimetre - admired abroad as art in themselves.
Soot from burnt rapeseed oil kneaded with glue; the fineness of the particles decides the ink's colour and bleed.
Eighty percent of Japan's clay pots; the district developed a heat-proof body, and its unglazed teapots fire purple-brown.
The Banko district's own hall, showing mould forming and the cutting of a teapot's built-in strainer.
Multiple cranes folded from one sheet, still joined; a 1797 book records 49 different configurations.
Permanently shows Masuo Ikeda's late ceramic Heart Sutra series, in a sculpture garden facing the Suzuka range.
Where cultured pearls first succeeded; its Meiji exhibition pieces come apart and reassemble into different ornaments.
Candle making began in the Showa period and developed as a local industry; the Japanese candle is wound from paper and rush pith.
Paper lacquered and embossed to pass as leather, made for pilgrims, lost, and recently reconstructed.