Mie Prefectural Museum
Natural history and human history in one building, organised around the bay that shaped the province.
297 entries. Some places appear in more than one collection. Confirm visits with each facility.
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Natural history and human history in one building, organised around the bay that shaped the province.
A Western building by the architect of the Akasaka Palace, holding the robes and treasures replaced at each rebuilding.
The rebuilding shown stage by stage, with a full-size section of the sanctuary that makes the roof's thickness real.
The wholesalers' quarter that supplied the pilgrim trade, its storehouses opening straight onto the river.
A cotton merchant's home town house: plain to the street, lavish within - the merchant code in built form.
The man who walked Ezo six times and proposed the name Hokkaido; he built a one-mat study from old timbers gathered nationwide.
A relocated farmhouse full of mechanisms - revolving walls and floor caches - shown as carpentry, not legend.
Its stone wall rises thirty metres straight from the moat, among the highest in Japan.
The building that made Hiroshi Naito's name: timber-framed storehouses standing as strongly as what they hold.
The palace of the unmarried imperial princess sent to serve at Ise; excavation confirmed its grid plan.
Stone paving laid so the rain could not wash the path away - a structure built for walking that became the landscape.
No building at all: a 45-metre rock is the deity, and twice a year a rope is strung from its summit.
As the provincial capital, Tsu keeps Meiji public buildings in which local carpenters read Western style their own way.
A street rebuilt in the gable-fronted form typical of Ise, showing how a pilgrimage town was shaped.
Halls set along a mountain stream, with a rite in which horses charge straight up an earth bank.
Cypress grown in one of Japan's wettest places; dense planting and thinning rule the slopes into pattern.
Streets deliberately bent at right angles for defence, the layout still as Todo Takatora planned it.
Whole villages ringed by their own levees, each homestead keeping a stone-raised refuge building against flood.
A petrochemical complex that at night becomes an assembly of light - a landscape that also carries a pollution history.
Stone piled into the narrow inlets to make level ground, and houses set along it - a village shaped by terrain.