Nagano Prefectural Art Museum
Rebuilt beside Zenkoji, its roof opened free to the public as a 'landscape museum' framing the town and mountains.
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Rebuilt beside Zenkoji, its roof opened free to the public as a 'landscape museum' framing the town and mountains.
Holds the 970 works Higashiyama gave to the province, in a Taniguchi building reflected in still water.
A hundred thousand prints gathered over five generations by one Matsumoto merchant family - the largest such private holding in the world.
The first pseudo-Western building designated a National Treasure, drawn by a local carpenter after trips to Tokyo and Yokohama.
A National Treasure keep, its black boards re-lacquered every year, with a moon-viewing turret added in peacetime.
For the picture-book painter Chihiro Iwasaki; the building lies low toward the Alps with no edge between museum and park.
For Morie Ogiwara, where modern Japanese sculpture began; built by donations from 300,000 local people.
Shrines with no inner sanctuary, worshipping mountain and tree; every seven years giant logs are hauled down and raised at the corners.
Once the world's greatest silk-reeling town; a working mill next door still draws thread from cocoons.
Japan's only octagonal three-storey pagoda; what looks like a fourth tier is a skirt roof, and it is among the oldest Zen-style structures here.
A pagoda finished without its balconies or railings - called the perfect unfinished tower, its lack read as its virtue.
Private plots were opened for walking through, turning the whole town into one circuit - a landmark of Japanese townscape work.
A glass box in the middle of the resort, programming only Japanese art made after 1945.
Alternating arches of stone and glass drop bands of light and dark - organic architecture in the Wright lineage.
A full Western hotel designed and built entirely by Japanese hands, once called the Rokumeikan of Karuizawa.
The first town in Japan to organise its own preservation, under three rules its residents set: do not sell, lend, or destroy.
The longest post town on the Nakasendo: a kilometre of houses with jettied upper floors, lined with lacquer shops.
In a Meiji silk merchant's house, hanging Nihonga in the same rooms as its collection of old kimono.
Storehouses built on silk money, now kept alive by conversion into shops and galleries.
The Sanada castle town, where the domain school, the lord's residence and the samurai houses all stand within a short walk.
Every seven years sixteen fir trunks are hauled from the mountain, ridden down a slope and stood at the shrine corners.