Bandaijima Art Museum
On the fifth floor of a tower by the river mouth, sharing one collection with the museum in Nagaoka.
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On the fifth floor of a tower by the river mouth, sharing one collection with the museum in Nagaoka.
A late work by Kunio Maekawa, its tiled walls kept low along the edge of the park.
One of the world's largest rural art festivals: 760 square kilometres of farmland, where finding the works means touring the hamlets.
Hiroshi Hara's cloister of galleries around a square pool, the building working as a frame for the art.
A raised building for looking at rice terraces; Kabakov's figures stand in the real field, overlaying poem on landscape.
An existing tunnel remade as an artwork; a film of water on the floor doubles the gorge in perfect symmetry.
For an illustrator whose lyrical girls filled Taisho magazines, in a white building by Shozo Uchii.
A dying market terrace taken over shop by shop by makers - regeneration without a public plan.
A festival themed on land reclaimed from marsh, asking through art how water and soil made this place.