Nikko Woodcarving
Begun by the craftsmen who built Toshogu, using a hooked blade that draws curves by dragging.
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Begun by the craftsmen who built Toshogu, using a hooked blade that draws curves by dragging.
Shoji Hamada built it to show the objects he learned from - other people's work, not his own, takes the lead.
Holds the potters at the centre of the mingei movement, with Hamada's relocated house in the grounds.
Heavy everyday ware that became the face of mingei once Shoji Hamada settled here; nearly 400 kilns remain.
The world's largest museum devoted solely to Imari and Nabeshima porcelain, spread over a wooded hill.
Geometric lattices assembled without a single nail, a trade descended from the Toshogu craftsmen.
Thick Hodomura paper, used for mounting scrolls and formal certificates.
In a town of toy factories, collecting mass-produced Showa toys as design objects.
Not a craft district but a scattering of individual studios, built up by artists who moved here.
Five hundred stalls twice a year, the model on which Japan's other pottery fairs were built.