Otsuka Museum of Art
A thousand Western masterpieces reproduced full size on ceramic panels said to last two millennia - including works long destroyed.
294 entries. Some places appear in more than one collection. Confirm visits with each facility.
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A thousand Western masterpieces reproduced full size on ceramic panels said to last two millennia - including works long destroyed.
In an indigo merchant's mansion, with the fermenting beds and the whole composting process shown at full size.
A Momoyama garden built from the province's blue-green schist, composed from the colour and shape of the stone alone.
Indigo wealth planted puppet theatre in the villages; dozens of their open-air stages still survive and still perform.
A thatched village stage with a revolve, and painted sliding screens rearranged to change the scenery.
A First World War POW camp where the prisoners ran presses and workshops - and gave Japan its first performance of Beethoven's Ninth.
An indigo trading town where the firewalls between houses grew ever taller as displays of wealth.
Firewalls stacked in two tiers - a form found in this town alone, sometimes coloured in the plaster.
A suspension bridge woven from mountain vine and rebuilt entirely every three years, so the skill can never lapse.
Houses and fields stacked up a slope so steep that top and bottom differ by 390 metres in altitude.
Built from windows and doors salvaged across the town, and laid out in plan as a question mark.
Museum, gallery, library and archive gathered on one hill, connected by walking rather than corridors.
The start of a 1,400-kilometre pilgrimage, where the white robe, sedge hat and staff are first assembled.
Whirlpools twenty metres across, appearing twice a day; a walkway slung under the bridge shows them through a glass floor.
The storehouses of the indigo traders, built to hold the temperature and damp the fermentation needs.
A thatched house bought and restored by Alex Kerr, and the model case for reviving abandoned mountain homes.
A lighthouse on the easternmost point of Shikoku - reef and tower, and nothing else in the frame.
Houses ringed with stone against wind and wave, the whole hamlet built almost as one structure.
Cedar planted on precipitous slopes and hauled out by sledge; its tight rings go into buildings and barrels.
A greenish schist that splits into flat slabs, shipped nationwide for gardens and stone monuments.
Stretches were deliberately left unbanked to let floods pass - villages and fields laid out on the assumption of inundation.
A town laid out along its rivers, with landing stages behind the storehouses.
Artist residencies opened the door to migrants and satellite offices - cultural policy that changed a village's demography.