Kishu Lacquerware
Red lacquer over black, so wear reveals the black beneath - a craft that treats use itself as the finishing process.
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Red lacquer over black, so wear reveals the black beneath - a craft that treats use itself as the finishing process.
Built in paulownia with almost no metal; the fit is so tight that pushing one drawer pushes another out.
Bamboo from the Koyasan slopes joined through dozens of stages - treated less as tackle than as lacquerwork.
A domain-sponsored paper that died out and was reconstructed by local people from surviving records.
Fired above a thousand degrees until it rings like metal when struck; every maker draws the kiln differently.
Lacquer from a hot-spring valley, made from timber and sap taken off the same mountains.
Made by monks for their own use; stripped of ornament and built only for strength, the utility became the style.
Several kilns nurtured by the Kishu domain survive, among them a celadon imitation made for the lord's own use.
Cotton raised into a pile until it reads as fur; most of Japan's pile fabric is woven in this valley.