The Museum of Modern Art, Wakayama
Among Japan's great print collections, in a Kurokawa building of stacked tile-like eaves beside the castle.
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Among Japan's great print collections, in a Kurokawa building of stacked tile-like eaves beside the castle.
The twin of the art museum next door, built around Kumano pilgrimage material and the Kishu Tokugawa collection.
Three eras of stone-stacking technique stand within one castle, built from a local greenish schist.
Kukai's mountain monastery, laid out so that the position of each hall and pagoda maps a mandala.
A pagoda said to have been raised by Hojo Masako, and the oldest building on the mountain.
A Momoyama garden of massive upright stones built into the slope before the hall - a composition without parallel.
The centre of the Kumano shrines; on the old river-island site now stands only a 34-metre torii.
A vermilion pagoda and a 133-metre waterfall in one frame - the fused Shinto-Buddhist landscape left intact.
A pilgrim road walked by emperors and peasants alike, its ninety-nine wayside shrines turning distance into devotion.
From here monks were sealed alive into small boats and set adrift toward the southern sea; a replica boat stands in the grounds.
Dedicated to the deity said to have granted the land for Koyasan; its arched vermilion bridge stands in a mountain clearing.
Stone markers set every 109 metres up the mountain road - 180 of them over twenty kilometres, the path itself made form.
Plots were divided on the diagonal, so the houses step along the street like saw teeth.
His house and library kept as they were - including the way the books were piled.
Where Japanese soy sauce is said to have begun; the brewers' houses and storehouses still line the lanes.
A giant boulder is the deity, with a small hall wedged beneath it, reached by 538 steep medieval steps.
The poet's Tokyo house was dismantled and rebuilt in his home town - a building returned to its birthplace.
Around fifty of the mountain's 117 temples take guests, so their halls and gardens can be experienced from inside.
While women were barred, halls stood at the seven boundary gates, and women walked the path that joined them.
A town grown around a temple, its grid plan still legible in the streets.
One of Japan's earliest stone lighthouses, by Richard Brunton, standing on the cliffs of Kashinozaki at the eastern end of Kii Oshima.