Nagashima Museum
On a hill facing the bay and the volcano, holding both Satsuma ware and European modern painting.
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On a hill facing the bay and the volcano, holding both Satsuma ware and European modern painting.
Begun by abducted Korean potters, and split into white ware for the lord and black for everyone else - class made into pottery.
The village where the abducted potters were settled; families that never changed their Korean names still fire kilns here.
Thick coloured glass cut so the edges gradate; the craft died with the domain and was reconstructed in 1985.
Only stumps left by Edo-period logging may be used; no living tree is cut, and the timber is three centuries old before it starts.
A technique lost for 120 years, reverse-engineered from surviving pieces - the reconstruction itself the achievement.
Thin ivory-white ware painted in gold and colour for the lord's use; world's fairs made it an export line called simply SATSUMA.
The black ware ordinary people used - undecorated, its shape decided entirely by what it had to do.
Sheds along the harbour where fish are smoked for months into what is said to be the hardest food in the world.
Fermenting jars are sunk into the floor, so the surrounding earth holds the temperature steady.
The lords set pottery, glass and metal workshops in their own castle town and directed them personally.