Kumamoto Prefectural Museum of Art
A Maekawa building inside the castle grounds, with decorated tomb chambers rebuilt full size to be entered like the originals.
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A Maekawa building inside the castle grounds, with decorated tomb chambers rebuilt full size to be entered like the originals.
On the third floor of a shopping building and run together with a bookshop, with permanent rooms commissioned from artists.
Half of Japan's painted tomb chambers are in Kyushu and most of those in Kumamoto - abstract circles and triangles drawn in the 400s.
Its walls curve outward as they rise so no one can climb them; since the 2016 quake they are being rebuilt stone by numbered stone.
The old Tokaido highway compressed into a garden, with a grassed mound standing in for Mt Fuji.
A prefectural policy of commissioning named architects for public buildings - over a hundred, from fire stations to housing.
A senior samurai residence where ceiling height and detailing change room by room with rank.
An early Toyo Ito public building: the store buried underground and grassed over so it reads as a hill.
Thatched roofs over Momoyama polychromy - the southernmost shrine buildings designated National Treasure.
Its walls end in a projecting lip - a rare feature in Japan, thought to come from Western fortification.
A church at the end of a fishing village lane, its floor laid with tatami so the congregation kneels to pray.
Its two-storey gate collapsed in the 2016 earthquake; the timbers were salvaged and it took seven years to raise again.
Built by merchants pooling shares; its ceiling is covered in their painted advertisements, and it is still a working theatre.
A Dutch engineer's design executed by Amakusa masons - the only Meiji port surviving complete, quay, canal and bridges.
A stone aqueduct built to water a dry plateau; to clear its pipes it blasts water from both sides - the first civil structure made a National Treasure.
A castle built on a sand spit, using the narrow strip of land between two seas as its defence.
Five centuries of rice shochu; the timber distilleries along the river have been repaired after each flood and kept working.
A post town whose street of shops and bathhouses still centres on its theatre.
Public housing from the Artpolis programme, scattered across the province and judged by how people go on living in it.
Churches scattered through island villages, each paid for by its own congregation once the ban was lifted.
The masons who built Tsujunkyo left dozens of arches across the province, each betraying their school in how it is laid.