Iwakiyama Jinja
Mount Iwaki itself is the deity, with an inner shrine at the summit. The annual Oyama-sankei pilgrimage is an Important Intangible Folk Cultural Property.
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Mount Iwaki itself is the deity, with an inner shrine at the summit. The annual Oyama-sankei pilgrimage is an Important Intangible Folk Cultural Property.
At the 1,625-metre summit. Pilgrims climb here on the first day of the eighth lunar month for Oyama-sankei.
The tutelary shrine of the Hirosaki domain. The main hall and the karamon gate are Important Cultural Properties.
A Toshogu built by the Tsugaru domain. The main hall is an Important Cultural Property.
Called the northernmost five-storey pagoda in Japan, and the most beautiful.
An Important Cultural Property. It was originally built as the gate of a temple.
The only Edo-period castle keep still standing in northern Japan. Famous for its 2,600 cherry trees.
A garden on two levels: a height that borrows Mount Iwaki as scenery, and low ground fed by springs.
A Meiji cider factory turned contemporary art museum, on the site of three Yoshitomo Nara exhibitions, converted so the building keeps its memory.
Kunio Maekawa, central to Japanese modernism, left eight buildings in his mother's home town - his first and last work within one walk.
Kogin stitching filled scarce hemp cloth with cotton thread; the workshop still does it by hand, inside Maekawa's very first building.
A three-storey timber library with octagonal towers at both corners - a provincial master carpenter's reading of Western architecture.
A former bank, Western outside and finished in Tsugaru lacquer and plaster within - the mixture is the point.
An Anglican church whose brick spire stands out sharply among the town's timber Western buildings.
A timber Gothic church holding a 19th-century altar given to it by a church in Amsterdam.
A businessman's villa using the drop of a cliff to hold two different gardens, with Mt Iwaki borrowed as the backdrop.
A Maekawa building inside the castle park, holding the domain's armour and the lacquerware the domain itself fostered.
Festival floats shown beside working demonstrations of lacquer, kogin stitching and goldfish lanterns, close enough to question the makers.
A timber Western house built by local carpenters for an American woman missionary; an Important Cultural Property.
Nicknamed the fool's lacquer for its 48 coats, ground back to reveal a mottling made by eggshell and rapeseed.
Fan-shaped lanterns painted with a warrior on the front and a woman on the back - a festival that compares the painter's two sides.