Takeda Jinja
It enshrines Takeda Shingen. Built on the site of the Tsutsujigasaki residence, it recalls that Shingen raised no castle, holding that people were his castle and his stone walls.
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It enshrines Takeda Shingen. Built on the site of the Tsutsujigasaki residence, it recalls that Shingen raised no castle, holding that people were his castle and his stone walls.
Its sacred treasure is rock crystal, and it is held to be the origin of crystal working here. It draws prayers for wealth.
Shingen founded it by moving the principal image of Zenkoji in Shinano. Its main hall is among the largest in eastern Japan.
Lacquer patterns laid onto deerskin. A technique from armour, turned to accessories.
It is said Shingen raised no castle, holding that people were his castle and his stone walls. The site of his residence is now Takeda Jinja.
Stone walls survive and the Inari turret has been restored, right in front of Kofu station.
Lacquer patterns laid onto deerskin. A technique from armour, turned to accessories.
Opened as 'the Millet museum'; a pioneering case of a regional museum collecting one European school in depth.
Crystal from the local gorge carved and polished by hand; the stone ran out but the skill founded a jewellery industry.
A third of Japan's jewellery is made here; cutting and setting are demonstrated in front of visitors.
An 1875 pseudo-Western schoolhouse with balcony and drum tower - local carpenters' reading of Western form.
Run together with the keyhole tomb beside it, and strong in the over-ornamented pottery of the middle Jomon.
Shingen ruled from a square residence, not a castle - his saying that people are the castle, left in the ground.
In the same park as the art museum, showing manuscripts as much for the hand as for the text.
From pseudo-Western schools to postwar modernism, Kofu keeps the layers of a provincial city's modernity.
A jewellery quarter grown out of crystal carving, its cutting, setting and lapidary studios packed into the city.
The keep is gone; only the rough-stacked stone walls remain, rising in the middle of the modern city.
Mulberry from the silk fields was worked into furniture once the trees were finished - a cycle of material and craft.