Naminouegu
It stands on a cliff, so that worship faces out towards the paradise held to lie beyond the sea.
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It stands on a cliff, so that worship faces out towards the paradise held to lie beyond the sea.
A stone gate beside Shuri Castle, and an Important Cultural Property. Here the king prayed for safety when leaving the castle. Beyond the gate is an utaki, and the gate itself is for worshipping through.
It stands at the end of a stone stairway through the forest. A stone ramp of a form peculiar to Ryukyu survives.
It burned in 2019 and is being rebuilt. The stone walls of the castle site remain World Heritage.
One point six kilometres. Its recovery from the burnt ground of the war was called the miracle mile.
Stencil dyeing that carries the colours of the south, and the pottery of Tsuboya. Kilns line Yachimun Street.
Walled in limestone like a Ryukyuan castle, holding both the kingdom's record and the systematic collection of postwar Okinawan art.
The quarter where the kingdom gathered all its kilns; it escaped the war, and workshops still line the paved street.
A kiln found during construction was left in place and built around, shown underground beneath the galleries.
Stencilled paste resist with pigment rubbed in - a meeting of Chinese, Southeast Asian and Japanese dyeing, in colours built for southern light.
Woven for the royal house; one of its weaves could be worn only by the queen and princesses.
Its tsuikin technique - lacquer kneaded with pigment and applied like clay - exists nowhere else; the court ran the workshops.
Part of a royal highway; 238 metres survived the war, walled in stone between great trees.